Monthly Archive for September, 2006

Focusing on an attitude rather than a language

Pimp MTV.JPGSource: New York Times, Mireya Navarro, September 24.

In “Pimpeando (see picture),” a new show about cars, the talk is of lowriders and paint jobs with images of Aztecs and the Virgin of Guadalupe. The target audience may also watch “Pimp My Ride,” the MTV car customizing series on which “Pimpeando” is based. But the sought-after viewers for this show are primarily young Latinos, a fast-growing demographic whose taste in entertainment runs from English to Spanish, from American to Latin, and back. And MTV is giving chase.

Today it is starting MTV Tr3s in the U.S. as a replacement for the all-Spanish language “MTV en Español,” a 15-year-old video jukebox that MTV executives now say was a placeholder while they tried to figure out more fitting programming for the Latino youth audience. The new MTV Tr3s, or MTV Three, doesn’t shun Spanish - it will broadcast, for example, “Quiero Mis Quinces,” a Latin American show about the coming-of-age parties for 15-year-old girls, with English subtitles - but it will mostly reflect the fusion of American and Latin music, cultures and languages, MTV executives said. That means V.J.’s who speckle their English with Spanish words, a playlist that puts Daddy Yankee next to Justin Timberlake, and original programming like “Pimpeando,” which pairs the popular host-customizer Michael Martin, or “Mad Mike,” star of “Pimp My Ride,” with Luis Lopez, a custom painter from the San Fernando Valley.

MTV Tr3s, pronounced “MTV tres,” is concentrating on Latinos between the ages of 12 and 34 and expects to reach at least 15 million households through cable, satellite and broadcast channels, said Lucia Ballas-Traynor, general manager of the network’s new channel. Market research has consistently shown that while the American-born generations increasingly speak only English, they preserve a pride and sense of uniqueness based on their Hispanic heritage. Christina Norman, the president of MTV, declined to estimate the dollar investment the network made in Tr3s, but she said that from its name - “Three,” following MTV and MTV2, MTV’s video-intensive offshoot - to its sharing of MTV’s marketing, research and even personnel, the new network is beaming a message in and outside the company that “it’s not that Latin channel over there.”

“In people, in money and in time, MTV Tr3s is part of the MTV brand in the biggest way that we can think of,” she said. The potential audience is huge. About one in five Americans aged 34 and younger is of Hispanic descent, and MTV executives cite Census Bureau estimates that say by 2020 the Latino teenage population is expected to have grown 62 percent, compared to 10 percent for teenagers over all.

MTV 3trse 3.JPGTelevision networks are not the only ones trying to figure out how to reach this audience. Carl Kravetz, chairman of the Association of Hispanic Advertising Agencies, said his group is grappling with a shift away from equating Latin with Spanish. He said that instead of emphasizing language - “Should we do the ad in English or Spanish?” - the thinking is shifting to first considering whether the message touches on the common values and attitudes that set Latinos apart from the general market. These attitudes, he said, include a less individualistic approach to life, a less rebellious view of parents and a less rigid sense of privacy. “It is obvious that whatever it is at the core of feeling Latino is not just about language,” Mr. Kravetz said. “It really is about identity.”

Already cable channels like SiTV and Mun2, a Telemundo channel that underwent a makeover last year, offer Latin-theme hybrid programming. Robert Rose, chief executive of the AIM Tell-A-Vision Group, which produces two syndicated shows for American-born Latinos, said that the advent of MTV Tr3s is significant because it should help get the attention of advertisers, the majority of which, he noted, still try to reach Latinos through Spanish-language media only.

“I view them as an ally because they’re further validating the market that we’re all targeting,” Mr. Rose said of MTV. Executives at Mun2 say their shows are striking a cord with their target audiences. A musical countdown show of both Spanish and English hits, “18 & Over,” beats MTV, VH1 and BET among Hispanic viewers aged 12 to 34, with about 66,000 watching.

TransCity supports Focus on Pakistan event

FOCUS IMAGE 2.JPGOn 4th October 2006, the first anniversary of the 8th October 2005 earthquake in Pakistan will be commemorated in the Netherlands.

In this regard an event is organized at the Royal Tropical Institute in Amsterdam which is dedicated not only to the courage of the survivors of the earthquake alone, but also to the humble efforts of those in the Netherlands who helped Pakistan in this difficult time. In disaster management assistance, women are often left behind internationally. In Pakistan where this disaster is already having a great impact on country’s efforts in the areas of poverty reduction, economic development and the regional conflict prevention in general, the earthquake is having a greater impact on the position of women.

Thus this opportunity is seized to get informed about Pakistan, its culture, commerce and cuisine and also by debating and analyzing the humanitarian assistance through Dutch donor organizations and the development cooperation.

The event is organised by Gender Concerns International and the Pakistani community in the Netherlands and is supported by NCDO. TransCity has supported Gender Concerns International throughout the years. The event starts at 1 PM and will last until 8 PM and includes debates, music and a fashion show. You can check the Gender Concerns International website for more information.

Global online communities

Online communication can be very effective in targeting ethnic minorities in Europe and the U.S. Many Europeans with African, Asian or South American backgrounds are online every day, with a number of communities spending more time on the internet than the average in their country of residence. A research by MTV Networks in the U.S. has shown that in the 12- to 24- year-old age group Latinos spend the most time online (2.7 hours a day), followed by African Americans (2.6 hours) and whites (1.9 hours).

According to the Pew Internet and American Life Project, thirteen percent of white internet users download music online frequently, compared with 25 percent of African Americans and 20 percent of the Latino population. For many communities in Europe and elsewhere, internet has become one of the major tools to keep them connected with friends and family around the world.

GLOBAL 2.JPG

Both in the U.S. and Europe, many ethnic minorities are slightly more likely to use internet away from home than is the average in their respective countries. On the other hand, many ethnic minorities are online to become part of global communities, rather local communities. In the Netherlands for example, many youngsters from African, Asian or South American communities are more likely to add their profile on My Space than on Hyves, the local equivalent of My Space in the Netherlands.

The world’s best selling rap star died 10 years ago

Tupac.JPGTen Years ago today, on September 13, 1996, Tupac Shakur died in a Las Vegas hospital after he was gunned down six days earlier. Some argue to have lost someone of the magnitude of Martin Luther King and Malcolm X - they claim Tupac Shakur would have metamorphosed into one of the most powerful black men to ever walk the face of the earth.

Whatever would have happened to Tupac had he still been alive, with over 70 million albums sold worldwide he is the most successful rap star ever. Would Eminem, Ja Rule, The Game and 50 Cent have become as big as they are today without the groundbreaking work of Tupac? Unlikely so. Their mythology of transgression, anger and running with the law would not have been possible without Tupac’s example.

Tupac was the embodiment of black rebellion against a hostile consumer society, a figurehead of gangsta rap, a poet, an artist, an actor, a political agitator and a hellraiser. Many of his fans still refuse to believe that he is really dead. The impact of Tupac on the urban youth worldwide bears resemblance to that of Bob Marley, an icon for different generations. The music of Tupac Shakur is as popular with 12 year old urban youth as it is with the 40-plus generation. He sold more albums after his death, than before. Five of his eight number one records in the U.S. were posthumous. His 1996 song ‘Hit ‘Em Up’ was recently listened as one of the top 10 songs that U.S. soldiers listen to in Iraq.

In recent years Tupac has attracted the attention of academics and cultural critics, who see in him a symbol of his times and a phenomenon who revolutionised popular culture, for both black and white young people, and straddled the boundary of gangsta fantasy and real-life crime in startling and unforgettable ways.

The influence of Tupac Shakur on today’s urban culture is huge, making his legacy extremely relevant for all those in the marketing and communications busines who wish to pursue Urban Marketing strategies.

Sources: various, including Andrew Gumber (The Independent)

Tupac Shakur, October 25, 1994:

World Cup scored for Spanish-language media in U.S.

UNI2.jpg The FIFA World Cup scored for Spanish-language media in the United States, as spending skyrocketed over 20% in the first half of 2006, according to both TNS Media Intelligence and Nielsen Monitor-Plus figures. Both companies attribute the surge to the world’s largest sports tournament.

And according to TNS, ad outlays on Spanish-language TV, magazines and newspapers jumped 20.5%, or $409 million, over the first half of last year to a total of $2.4 billion. “Spanish-language media was one of the fastest-growing media in the first half of 2006,” said Steven Fredericks, president-CEO of TNS Media Intelligence.

One of the challenges of measuring the Hispanic market is that not all media researchers’ figures agree. Nielsen, which only provided figures for TV, reported that spending on Spanish-language TV rose by 21.8 %, or $270 million, to $1.5 billion in the first half. But the increase doesn’t seem quite as extreme when compared with previous Nielsen estimates that showed spending on Spanish-language TV increased 15% in 2005 over the first half of 2004.

Mr. Fredericks of TNS said the spending on Spanish-language network and cable TV was up 23.9% in the first half of 2006, heavily driven by World Cup packages. They were sold to advertisers by Univision, which broadcast all the World Cup games in June and July as well as heavy pre-World Cup soccer coverage.

The premium that marketers put on the World Cup - and on the Hispanic market - is clear. General Motors Corp., for instance, boosted spending on Spanish-language TV 24.2% during the first half of 2006 and became the second largest advertiser in the Hispanic market (trailing only Procter & Gamble Co.). But GM cut general-market TV total ad outlays 3% for the same period, according to Nielsen figures.

Source: Willow Duttge, Advertising Age.

The migration business

HSBC Ad Def 2.JPG Migration is big business. In the United Kingdom, more than 420,000 workers from eight east European countries were approved to work in Britain in the past two years, official data showed last month. Many of those came from Poland. Over 260,000 workers from non-EU countries have also obtained work permits in the past two years, while an estimated 180,000 east Europeans have become self-employed in the UK.

According to Reuters News Agency, Britain’s biggest bank HSBC Holdings plans to ramp up its commercial banking business in Poland at the same time as attracting Polish immigrants in its home market with specially tailored accounts.

Alan Keir, HSBC’s global co-head of commercial banking, said Poland will be at the heart of expansion in central Europe and it plans to have business banking centres in eight Polish cities, from just one centre in Warsaw at present. The bank will target big regional Polish cities in the next 18 months, including centres in Wroclaw, Katowice and Poznan.

HSBC’s commercial banking provides credit, cash management and other services to companies ranging from a one-person start-up to a mid-cap sized firm. It operates in 16 European countries. It is keen to ease the process for companies to open more cross-border bank accounts so that they can pay in euros and dollars as easily as pounds.

The business is strongest in the UK, France and Turkey, and Keir told Reuters he saw good opportunities to tap into accelerating economic growth in Czech Republic, Slovakia and Russia in addition to Poland.

Expansion in Poland could also leverage moves by HSBC and other banks to attract the influx of Polish immigrants in Britain by making it easier for them to open accounts and transfer money.

HSBC have recently introduced the Passport account, aimed at immigrants coming to the UK. The Passport account offers basic bank products and discounts on international money transfers, but no overdraft facility and a small monthly fee. The account can be opened online before arriving and the bank said it had signed 2,500 customers. Although eastern Europeans are a major target group, the Passport account is targeting all recent immigrants in the UK, both from within and outside the EU.

Other banks are also targeting east European immigrants. Barclays said it had hired Polish speakers for some branches, mainly in west London, and held education events on UK banking products and how to buy a house.

Main source: Reuters

Rocawear plans new label that goes beyond hip-hop

RocaWear.JPGCan an edgy urban fashion brand stay relevant to its young customers and simultaneously go mainstream?

That’s the challenge facing Rocawear in the U.S., the brand co-owned and founded by Jay-Z, whose real name is Shawn Carter. Rocawear is launching a new men’s line this fall, hoping to reach an older, broader audience. In the biggest marketing splurge in its seven-year history, the company is spending $2 million to promote its brand, especially the new “Custom Fit” label, a slimmed down version of the big baggy silhouettes that have been a hallmark of hip hop attire for the past decade.

The line, to be sold in specialty and department stores, minimizes the big logos of the past and includes sporty striped polo shirts, jackets and a number of jeans styles priced from $69 to $89. Jackets, pants and shirts are cut slimmer than its signature, full-cut styles.

Rocawear hopes to target men who didn’t wear urban brands in the past and might have been turned off by their extreme looks. The line is also aimed at 30-something men who grew up with hip hop but are now defecting to other brands as they seek more mature looks.

Mr. Carter, the 35-year-old Grammy Award-winning rapper is also chief executive of Def Jam Recordings and part owner of the New Jersey Nets basketball team, is a walking advertisement for the new slim silhouette. “Once I hit 30, I can’t wear jeans showing my underpants anymore,” he says.

Over the past five years, department stores expanded hip-hop collections and now consider urbanwear a key category for menswear that attracts trendy men of all ages. Lately, the urban clothing market became overcrowded with an array of small fashion collections by hip-hop artists. Many of them, including a line from rap star Snoop Dogg, have since failed.

Source: Teri Agins, The Wall Street Journal

UK media compete for South Asian households

SET Asia DEF 3.JPGRupert Murdoch-owned Star TV is trying hard to attract UK subscribers with a South Asian background. Over a year ago, Star secured slots for Star News and the entertainment channel Star Plus in Sky Digital’s family package, taken by the bulk of the broadcaster’s 7.6 million subscribers. Of these, more than 350,000 are South Asian - but despite this advantage, competition for these households is tough and looks likely to get even harder.

Zee TV - Star TV’s major rival in the UK and India - already broadcasts Zee TV, Zee Cinema, Zee Music and Alpha Punjabi. Last year, it launched the Alpha Gujarati channel and the international channel South Asia Network. Another broadcaster, Vectone, added Vectone World to its existing channels Vectone Tamil, Vectone Urdu, Vectone Bangla and Vectone Bolly at the beginning of this year.

Meanwhile ZMTV, a sales house that oversees Sony Entertainment Television Asia, B4U Music and other ethnic interest channels such as Phoenix Chinese News and Entertainment (PCNE), has signed up Channel S, aimed at Sylheti-speaking Bangladeshis in the UK.

In addition, Star has expanded its portfolio of channels in the UK, introducing the movie channel Star Gold and the entertainment channel Star One, launched in India last year, which targets young urban viewers. Both provide content that appeals to second- and third-generation British Asians.

Star, which moved into profit in 2003, is available in more than 53 countries, has more than 50 television services and claims to reach 300 million viewers a week. Three years ago it was one of the first non-state controlled broadcasters to be given limited broadcasting rights in China.

Source: Marketing Week